Objective:
After listening to the piece and discussing its aesthetic value,
students will write an essay from Tchaikovsky's perspective explaining the
reasoning behind the musical choices by examining their aesthetic value.
National Standards for Music Education:
6. Listening to, analyzing, and describing music.
7. Evaluating music and music performances.
Illinois State Goals and Standards for Fine Arts
25. Know the language of the arts.
A.
Understand the sensory elements, organizational
principles and expressive qualities of the arts.
2c Music: Identify elements and expressive qualities such as tone
color, harmony, melody, form (rondo, theme and variation), rhythm/meter and dynamics
in a variety of musical styles.
3c Music: Identify and describe changes in elements and
expressive qualities (e.g., crescendo, ritardando, fermata, meter, sforzando).
Materials:
ActivBoard (interactive whiteboard), youtube video of
Tchaikovsky's Symphony No. 4 in F minor, 2nd movement.
Content:
"Today, we are going to listen to Tchaikovsky's Symphony No.
4 in F minor, Op. 36, 2nd movement, which is titled "Andantino in modo di
canzona." The purpose of listening to this piece of music is to find its
aesthetic value. "Aesthetic"
may be a new vocabulary word for you, so let's add it to our music vocabulary
wall."
Have a student read the definition of aesthetic.
Ask the students to describe what aesthetic means in their own
words (expect answers like "its what you like" or "its what
sounds good to you").
"'Aesthetic' s not just about what you like. It is also about why you like it. There are certain elements in music that make
some of it more likable or catchy than other pieces. Today, we're going to listen to this piece of
music several times, and we are going to use our listening journals to write
about its aesthetic value. The first
time, I want you to focus on form. Remember,
form is over here on our vocabulary wall."
Review the "form" vocabulary word by asking a student
to read the definition of form.
"One of the reasons we humans find music likable is because
of how easy it is to predict. As you are
listening, comment in your journals about what you are hearing related to form. Can you predict the musical themes that
you'll hear next, or do you find it difficult?
Does the predictability or lack of predictability make you like it more
or less? Remember, you don't have to use
complete sentences on your first draft of listening journals. Just write down your instincts and
short-handed thoughts."
Post the prompt on the ActivBoard.
Part 1: Can you predict the musical themes that you'll hear next,
or do you find it difficult? Does the
predictability or lack of predictability make you like it more or less? Why?
After students have listened and written down their first
thoughts about form, discuss what they wrote together, and be sure to mention
the following at some point during the discussion:
"The form of this piece is not particularly predictable. It seems to never quite resolve, like it is
searching for something. There were
three major sections of musical themes in what we listened to, including the
oboe solo, the orchestra repeating the basic theme again that the oboe soloist
had played, and finally, the section which was building and reestablishing
tonality at nearly every phrase. Think
about how the parts don't really resolve any time, and the tension of wondering
when the line will end is intriguing and somewhat frustrating for the
listener."
"We are going to listen to the piece a second time now, and
instead of focusing on form, what are some other musical elements we can focus
on?"
Hopefully students will mention melody, harmony, rhythm, texture,
dynamics, or other related topics, as they have been previously discussed.
"Let's focus this time on melody, because I think it is one
of the most interesting parts of the piece.
I will tell you a few things to trigger thoughts as you start. First, I recognized several things as I was
listening to the piece which I think are important to note. I hear a 4-note melodic pattern that includes
descending line which then skips and resolves back up one note."
Sing the mentioned pattern to students.
"This makes me wonder why Tchaikovsky chose this pattern,
and why he chose the oboe, and what the point of the music is. Sometimes, music tells a story. Other times, music is to express emotions. Other times, music is just present as music,
and it doesn't need a reason. In your
journal, write about which one of these you think Tchaikovsky was going
for? Support your idea with examples
from what you hear in the music. We'll
listen to the piece a few more times, and be sure to specifically focus on the
melody."
Put the final journal entry prompt on the board:
Part 2: Focus on the melody of this piece. Do you like it? Why?
Use examples from the music that you are hearing to support your
argument.
Part 3: What do you think was the purpose of this music to
Tchaikovsky? Was he trying to tell a story? Ws he trying to express emotions? Was there another purpose for this piece of
music? Use musical examples to support
your ideas. Remember that you don't have
to use complete sentences yet.
"We'll listen to this portion of this movement at least
three times. For homework tonight, turn
your thoughts into a letter. Write the
essay as if you are Tchaikovsky writing a letter to a friend explaining the
purpose of the piece. If you finish your
incomplete thoughts early, you can begin your final draft now. You have been handed a rubric for the final
letter. Be sure you address all three of
the prompts that we used today in your letter.
We will upload your final journal entries to your online music listening
blog after I've graded them."
Play the music a few more times and give students some time to
write in between. Provide the youtube
link for students so they can listen at home if they would like further
details.
Assessment Rubric:
|
Does
Not Meet or Incomplete (0-6)
|
Meets
(7-9)
|
Exceeds
(10)
|
Points
Awarded
|
Comments
|
Part
1: Form
|
Student
does not adequately answer question(s) in prompt.
|
Student
adequately answers question(s) in prompt in Tchaikovsky's voice.
|
Student
shows a meaningful and deeper sense of understanding related to detailed support,
and/or creatively executes use of Tchaikovsky's voice.
|
|
|
Part
2: Melody
|
Student
does not adequately answer question(s) in prompt.
|
Student
adequately answers question(s) in prompt in Tchaikovsky's voice.
|
Student
shows a meaningful and deeper sense of understanding related to detailed
support, and/or creatively executes use of Tchaikovsky's voice.
|
|
|
Part
3: Aesthetic Value
|
Student
does not adequately answer question(s) in prompt.
|
Student
adequately answers question(s) in prompt in Tchaikovsky's voice.
|
Student
shows a meaningful and deeper sense of understanding related to detailed
support, and/or creatively executes use of Tchaikovsky's voice.
|
|
|
Grammatical
Value
|
Student's
final work contains more than 5 grammatical or spelling errors.
|
Student's
final work contains 2-4 grammatical or spelling errors.
|
Student's
final work contains 0-1 grammatical or spelling errors.
|
|
|
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